Now I'm going to let you in on a little secret of the trade. Take a look at this leaf I'm pointing to with the pencil:
I need to make the edge of the leaf look as sharp and clear as I possibly can, so the image will jump off the page. Can you see a faint dark green line which follows the edges around the bottom of the leaf and ends right where I put my pencil? I take one of my smallest brushes, a size 00, and paint a really fine line using Chromium Oxide Green. This pigment is a grayish green, and is one of the most opaque watercolor pigments (really cloudy, in other words). It will hide a multitude of painting transgressions. Right after I paint the edge, I try to blend the 'leaf' side of the line in with the adjacent green color. But the outside edge I leave alone.
Now sit back and view this leaf from more of a distance. Can you tell a difference in bottom half of the leaf, which I have worked on, and the top half (above the pencil) which I still have yet to do? Isn't that cool? And from even more of a distance, as you would normally view the painting, it really is effective. I don't have the steadiest hand in the world, so my edges tend not to be naturally sharp and crisp. (Does this say something about my personality?) So when a teacher of mine shared this secret, it transformed my paintings.
Oh and yes, I will soon put some legs on my ladybug!
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